Tassie, B. [in preparation] (2027) ‘From Monochord to Mp3: Studio-mediated Bass Viol Performance and Multimedia Practice as Tools for Re-embodied Musical Experience’
Tassie, B. & Kanga, Z. [forthcoming] (2026) ‘Augmented Organs, Cyborg Soloists: The Hyperorgan and Re-sacralised Sociality in Earth of the Slumbering and Liquid Trees’, Contemporary Music Review.
Tassie, B. (2026) ‘Sheffield’s classical scene has so much potential – why are we not making the most of it?’ Now Then. 13 April. Available at: https://nowthenmagazine.com/articles/sheffields-classical-scene-has-so-much-potential-why-are-we-not-making-the-most-of-it-music-in-the-round [accessed 27 July 2026]
Tassie, B. (2021) ‘Post-HIP: New Music for Old Instruments in the Twenty-First Century’, Tempo 75(297) pp.61-70. Available at: https://www.cambridge.org/core/journals/tempo/article/abs/posthip-new-music-for-old-instruments-in-the-twentyfirst-century/E85127562247A960BABBCB22F64DAA29
Tassie, B. (2026) ‘Why are they Singing? George Benjamin and Contemporary Opera (an Excerpt)’ Substack. 27 July. Available at: https://benjamintassie.substack.com/p/why-are-they-singing [Accessed 27 July 2026]
Tassie, B. (2026) ‘The Re-enchanted Ear: Reflections on the Orgelpark Symposium 2026’, Substack. 7 June. Available at: https://substack.com/@benjamintassie/p-201037145 [Accessed 27 July 2026]
Tassie, B. (2026) ‘Piano Garden: Annea Lockwood, Instruments, and the Making of Community’ Substack. 29 April. Available at: https://substack.com/@benjamintassie/p-195888074 [Accessed 27 July 2026]
Tassie, B. (2026) ‘Harpsichords & Extinction Rebellion: Part One – Arnold Dolmetsch, William Morris, and Late-Nineteenth-Century Conservationism’ Substack. 16 March. Available at: https://substack.com/@benjamintassie/p-191167031 [Accessed 27 July 2026]
Tassie, B. (2026) ‘To Mend Muisck: Thomas Salmon and the Creative Potential of Historical Dead Ends’, Substack. 23 February. Available at: https://substack.com/@benjamintassie/p-188923047 [Accessed 27 July 2026]