New Work (2029) [in preparation]
Electroacoustic, multimedia work based on archival research into Imogen Holst’s work on Medieval music.
New Work (2028) [in preparation] – Explore Ensemble & Jamie Savan
Concert work for chamber ensemble, Renaissance cornett, and live electronic processing.
New Work (2026) [in preparation] – GBSR Duo
Concert work for Just Intonation digital sampler-harpsichord and percussion.
You & i are Earth (2025) – Tom Dilley
Concert work for augmented virginal, created as part of Guildhall School of Music and Drama Research Residency.
Earth of the Slumbering and Liquid Trees (2024) – Zubin Kanga
Concert work for sampled historical organs, MIDI keyboards, and ROLI Seaboard Rise 2 MPE keyboard. Premiered at The National Gallery, London (January 2024); additional performance at Het Orgelpark, Amsterdam (March 2025).
A Ladder is Not the Only Kind of Time (2023) – Benjamin Tassie, Rebecca Lee, & Rob Bentall
Album, film, and interactive smartphone app for water-powered historical instruments, lap steel guitar, Medieval rebec, bass viol, and Nyckelharpa.
Glass Coloured (2023) – Jamie Savan
Concert work for 3D-printed Renaissance cornett & live electronic processing.
Bad Death Ghosts (2022) – Benjamin Tassie
Concert work for microtonally-tuned spinet and lap steel guitar.
Quartet for a Landscape (2021) – Nordic Affect
Concert work and filmed installation for Baroque strings and harpsichord. Premiered at Mengi, Reykjavik (16 October).
Accrete (2021) – Mary Duggan Architects
Studio composition for multitracked Medieval rebec and two sopranos. Premiered as sound installation at London Festival of Architecture (19 June).
Solo for Computer and Tape (2020) – The National Gallery, London
Filmed installation for reel-to-reel tape machines, analogue synthesisers, laptop, and guitar pedals.
British Baroque: Power & Illusion (2020) – Tate Britain
Concert performance for bass viol, baryton, analogue synthesisers, and live electronics.
Victoria: Woman & Crown (2019) – Historic Royal Palaces
Multichannel installation soundtrack for exhibition at Kensington Palace. Recorded by Ligeti Quartet, Siwan Rhys, and Jonathan Mayer.
After Violence (2018) – Royal Academy of Arts, Dulwich Picture Gallery, & the National Trust
Music-theatre performance for analogue synthesisers, lute, soprano, and drag queen. Performed by Benjamin Tassie, Ella Taylor, Sam Brown, and Rhys Hollis. Premiered at Sutton House (11 August).
Salvage (2018) – National Opera Studio
Aria for countertenor and piano as part of 12:40, celebrating the National Opera Studio’s 40th anniversary. Text by Jaqueline Saphra. Premiered at Hoxton Hall (15 June).
Five Pop Songs for Orchestra (2017) – Orchestra of the Age of Enlightenment
Arrangements of songs by Björk, Radiohead, and others for period orchestra. Premiered at Kensington Palace (26 August).
Silvertown (2017) – Musarc
New choir work performed in a disused factory in East London. Text by Annie Freud. Premiered at London Festival of Architecture (10 June).
Sun (2017) – Juice Vocal Ensemble
Song for three voices. Text by Annie Freud. Premiered at Tate Modern (8 January) with live broadcast on BBC Radio 3.
Body (2016) – Liam Byrne & Rambert Dance
New music for bass viol and electronics with dance. Premiered at Wilderness Festival (5 August).
